On 8 May 2026, inMusic and Native Instruments announced a definitive agreement for inMusic to acquire Native Instruments. That timing matters, because Native Instruments had entered preliminary insolvency proceedings in Germany in January 2026, and in March 2026 CEO Nick Williams confirmed that the business was actively looking for new shareholders. The new deal is positioned as the solution to that process, with both companies saying the transaction is expected to close in the coming weeks, subject to customary closing conditions.
The first thing to clear up is the most common confusion: this is not a Traktor-only acquisition. Officially, inMusic is acquiring the broader Native Instruments business, not just its DJ arm. The public statements specifically name Native Instruments, iZotope, Plugin Alliance and Brainworx as part of what continues under the new ownership. Read together with Native Instruments’ own corporate pages, that means the deal stretches across the wider NI ecosystem: Komplete, Kontakt, Maschine, Traktor, Reaktor, NKS, hardware, software and services. So if you were wondering whether inMusic only wanted Traktor, the answer from the available evidence is no. It is buying a much larger creative-tech portfolio.
That also explains the strategic logic. Before this deal, inMusic was already a major music-tech owner with brands such as Akai Professional, Denon DJ, Numark, Rane, M-Audio, Moog, Engine DJ and SoundSwitch. Native Instruments brings something inMusic historically had less of at this scale: a deep, globally recognised software stack in production, DJing, mixing and mastering. The two companies had already been collaborating since 2025, bringing NKS integration to Akai and M-Audio controllers and NI sounds to MPC. The acquisition now turns that collaboration into ownership, and inMusic says the goal is to move faster, deepen integration and build better tools for creators.
For Traktor users, the immediate implications are reassuring. Native Instruments’ official FAQ says nothing changes today: products, licences, downloads, subscriptions and support remain fully active. That is the clearest short-term takeaway. In the medium term, though, there is still no official Traktor roadmap under inMusic. We do not yet know whether this will simply stabilise Traktor, or whether it will lead to deeper links with inMusic’s wider DJ ecosystem around Denon DJ, Engine DJ and SoundSwitch. That possibility is obvious, but it remains an inference rather than an announced plan.
As for the financial terms, the purchase price has not been disclosed. Trade reports from Mix and MusicTech both describe the amount as undisclosed, and the official press release also avoids stating a price. So if you are looking for a headline valuation, there is none on the public record yet.
My own take is that this deal is both a lifeline and a signal. It is a lifeline because it gives Native Instruments a path out of a damaging insolvency process and offers users immediate continuity. But it is also a signal of further consolidation in music technology. CDM argues that adding Traktor gives inMusic a more credible counterweight to AlphaTheta in DJ, while MusicRadar notes the obvious downside of so many major brands sitting under one roof. For users, then, the right conclusion is probably cautious optimism: the immediate risk around support looks lower, but the long-term question is whether inMusic can turn continuity into renewed product momentum
Few pieces of DJ software have shaped club culture as quietly and completely as Rekordbox. What began as a preparation tool for Pioneer DJ players has become an end-to-end platform for organising libraries, exporting USBs, performing with controllers, syncing across devices, and increasingly working with cloud and streaming workflows. That is why Rekordbox is no longer just “software before the gig” for many DJs; it has become the workflow itself.
The story starts in 2009, when the CDJ-2000 and its companion Rekordbox software introduced a different way to DJ: preparing music on a computer, exporting it to USB, and arriving at a booth without wallets full of CDs or a complicated laptop setup. AlphaTheta’s own retrospective describes this as a major turning point driven by the need for a more reliable, preparation-to-performance workflow, one that covered home prep, club playback, and post-set review.
Over time, Rekordbox moved far beyond simple track management. The software was rebuilt in-house in 2014, which helped define many of the browsing and library tools DJs still rely on today. In 2015, Performance Mode transformed Rekordbox from a preparation utility into full DJ software, especially when paired with dedicated hardware. Rekordbox 6 then pushed further into cloud workflows, and Rekordbox 7, released on 14 May 2024, refreshed the interface and browsing system while adding new workflow tools. Later point releases confirmed that development was still moving quickly: version 7.2.8 added 4-Stems support on 3 December 2025, and version 7.2.13 fixed the USB export issue that affected 7.2.12 in March 2026.
At its foundation, Rekordbox remains a powerful music-management platform. The uploaded drafts were right to emphasise this. Track analysis, waveform preparation, BPM and key detection, cueing, looping, playlist organisation, beatgrid editing, tagging, and smart filtering are still the core reasons Rekordbox matters to working DJs. The software’s official manuals and feature pages continue to frame it around preparation and performance ease, not just flashy add-ons.
One of Rekordbox’s biggest strengths is that it still serves two connected but distinct use cases. In Export Mode, it remains the standard preparation hub for DJs who perform on CDJ and XDJ systems from USB drives or SD cards. In Performance Mode, it becomes a full DJ application with decks, mixer sections, effects, loops, cue controls, beat jump, sampler functions, and controller integration. That dual identity is what makes it so durable: the same software can prepare a club USB workflow and also power a laptop-based controller set. Cloud Library Sync and Mobile Library Sync extend that idea across devices, while official guidance notes that CloudDirectPlay currently supports Dropbox.
Rekordbox also stretches well beyond the basic two-deck picture. Depending on plan and hardware, the platform supports DVS workflows, video output, lighting control, editing, and newer performance tools such as STEMS. Official release notes for version 7.2.8 added a 4-Stems mode — vocal, instrumental, bass, and drums — while the Rekordbox 7 FAQ confirms that 3-Stems and 4-Stems switching is available in preferences and that hardware control can be mapped through MIDI LEARN. The same FAQ set also covers DVS control, supported DMX interfaces, and video-monitor behaviour, which reinforces the point that Rekordbox is now much closer to a broad DJ ecosystem than a simple library app.
Hardware support is where Rekordbox becomes especially important. Rekordbox 7’s current Hardware Unlock list includes a wide spread of controllers, players, all-in-one systems, mixers, and interfaces. On the controller side alone, the official list includes the DDJ-GRV6, DDJ-1000, DDJ-800, DDJ-400, DDJ-200, DDJ-FLX10, DDJ-FLX6-GT, DDJ-FLX6, DDJ-FLX4, DDJ-FLX2, DDJ-REV7, DDJ-REV5, DDJ-WeGO4, and DDJ-XP2. The wider ecosystem also includes OPUS-QUAD, OMNIS-DUO, XDJ-AZ, XDJ-XZ, XDJ-RX3, XDJ-RX2, XDJ-RR, CDJ-3000X, CDJ-3000, PLX-CRSS12, DJM-V10, DJM-V10-LF, DJM-V5, DJM-A9, DJM-750MK2, DJM-450, DJM-250MK2, DJM-S11, DJM-S7, euphonia, INTERFACE 2, and RB-DMX1.
That said, “supported by Rekordbox” is not always the same thing as “fully supported in the latest major version”. This is where the uploaded drafts needed the most reconciliation. AlphaTheta explicitly warns that some long-discontinued products are not guaranteed to work on Rekordbox 7, and it specifically states that the DDJ-RZX is not compatible with Rekordbox 7 and should be used with version 6 instead. That means legacy mentions from older drafts should always be treated as version-sensitive, not automatically current.
So who is Rekordbox for today? In practice, it serves several groups at once: beginners learning on entry-level controllers, home users building controller-based performance rigs, club DJs exporting USBs for CDJ / XDJ booths, mobile DJs using lighting or video functions, and touring DJs who want continuity between preparation and performance. That breadth is exactly why the software remains central. The tools have become more cloud-connected and more feature-rich over time, but the basic promise has not changed: prepare once, arrive ready, and perform with confidence. Since pricing and plan structures move over time and vary by region and billing cycle, the safest long-term wording for a publishable article is to point readers to the official plan page rather than hard-code subscription numbers into evergreen copy.
Current official hardware snapshot
The current official Rekordbox 7 Hardware Unlock picture can be grouped like this. This section is intentionally more literal than the blog article above, so you have a clean support snapshot for reference.
Controllers
DDJ-GRV6, DDJ-1000, DDJ-800, DDJ-400, DDJ-200, DDJ-FLX10, DDJ-FLX6-GT, DDJ-FLX6, DDJ-FLX4, DDJ-FLX2, DDJ-REV7, DDJ-REV5, DDJ-WeGO4, DDJ-XP2.
All-in-one systems
OPUS-QUAD, OMNIS-DUO, XDJ-AZ, XDJ-XZ, XDJ-RX3, XDJ-RX2, XDJ-RR.
Players and turntable
CDJ-3000X, CDJ-3000, PLX-CRSS12.
Mixers and interfaces
DJM-V10, DJM-V10-LF, DJM-V5, DJM-A9, DJM-750MK2, DJM-450, DJM-250MK2, DJM-S11, DJM-S7, euphonia, INTERFACE 2, RB-DMX1.
Compatibility caveat worth keeping in the article notes
DDJ-RZX is not compatible with Rekordbox 7 and should be treated as a Rekordbox 6 case.
Serato:
A brief history (why the milestones matter)
Core features (what Serato does well)
- Stems
- DVS
- Video and karaoke:
- Streaming
Licensing and pricing (what you pay for)
Hardware support (the Serato approach)
Serato’s strength is not a single “killer feature.” It is the combination of a long engineering lineage, a hardware-first performance philosophy, and a modern feature stack that includes Stems, streaming, DVS, and video. The 4.0 library rebuild matters because it targets the part of DJing that quietly costs the most time: organising, preparing, and reliably finding the next track under pressure.
I’ve used VirtualDJ since 2018 and it’s become one of those tools I can truly “own”: I’ve built personal skins and custom controller mappings to match my workflow, and I’ve had consistently solid experiences with both the support team and the forum community.
What’s exciting right now is how fast VirtualDJ’s core is evolving. VirtualDJ 2026 (Dec 2025 release) introduces lyrics-assisted waveforms, an AI “AIPrompt” folder for track ideas inside the browser, and a redesigned pro FX engine with 122+ effects—plus new karaoke/lyrics features. On the library side, CloudDrive supports syncing lists using providers like Dropbox, and VirtualDJ can read playlists/crates from major DJ ecosystems, making it much easier to move or rebuild a library without starting from zero.
What Happened? Native Instruments in Insolvency Proceedings
Native Instruments, the Berlin-based music tech company behind Traktor, Maschine, Kontakt and more, has entered preliminary insolvency proceedings in Germany. In plain terms, this means the company is undergoing a court-supervised financial restructuring – but importantly, this does not mean an immediate shutdown of NI’s operations. An administrator (Prof. Dr. Torsten Martini) has been appointed by a Berlin court to evaluate NI’s finances and oversee restructuring efforts.